1,478 Free Images of Hand Colored Lithographs

the aboriginal portfolio lithographs in the smithsonian american art museum hand-colored lithograph on paper smithsonian american art museum james otto lewis ojibwa people national gallery of art paper historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

MO-WAN-ZA or The Little Wolf; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MEN-DOW-MIN or The Corn; A Chippewa Dwarf, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BA-SHAW; A Celebrated Sioux Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KER-O-MENEE; A Celebrated Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MISH-SHA-QUAT or the Clear Sky; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-TOP-E-NOT or the Eagle’s Bed; A Fox Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WEESH-CUB or the Sweet; A Noted Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KEE-O-TUCK-KEE; A Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PE-SCHICK-EE; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHOUNK-CHUNK the Black Wolf; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Tah-Ro-Hon, An Ioway Warrior, Alfred Hoffy, 1838

lithographs in the national gallery of art (washington, d.c.)alfred hoffy

CHAT-O-MIS-SEE; Pottowattomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WA-EM-BOESH-KAA; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

FRANCIS GODFROY; A Celebrated Chief Among the Miamis, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SUN-A-GET or Hard Times; A Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAUCK-COOMAUN; A Celebrated Ioway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

AT-TE-CONSE or the Young Rein Deer; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

PEN-NOW-WE-TA; A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KE-WA-DIN or the North Wind; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

JACK-O-PA or the Six; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Bird of Paradise (Paradisea apoda), William Matthew Hart, published 1875-1888

lithographs in the national gallery of art (washington, d.c.)lithographs by john gould and william matthew hart

Chon-Ca-Pe, Henry Inman, 1837

lithographs in the national gallery of art (washington, d.c.)academic art

In the Woods, Émile Bernard, 1890

pont-aven school,les nabis,pointillism,cloisonnism,orientalism,synthetism,symbolism lithographs in the national gallery of art (washington, d.c.)

‘Tomb of Runjeet Singh’ (Samadh of Maharaja Ranjit Singh), one of the hand-colored lithographs by Dickson, London, from Original Sketches in the Punjaub, by a Lady, ca.1854

original sketches in the punjaub by a lady (1854)punjab region

Drury Lane Rags, James McNeill Whistler, 1888

prints by james mcneill whistler in the national gallery of art (washington, d.c.)aestheticism

Mazeppa - pl. 3 LCCN2017660409, Nathaniel Currier, 1846

currier and ives ride of mazeppa

Væddeløbsbanen, Henri de Toulouse-Lautrec, 1899

drawings by henri de toulouse-lautrec in the statens museum for kunst post-impressionism

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Hamburg von der Seite des Dammthors im Jahre 1700 (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

James McNeill Whistler, William Nicholson

prints in the aberdeen archives, gallery and museums collection william newzam prior nicholson

CAA-TAA-KE MUNG-GA or the Speckle’d Loon, A Miami Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TSHU-GU-GA; A Celebrated Chief half Winnebago and half French, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KITCH-EE-I-AA-BA or the Big Buck; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑WAN-ICH-KOH or the Little Elk; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

A Winnebago Woman; Wife of O’-CHECK-KA or Four Legs, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Market Place Santo Domingo, Pop Hart, 1924

prints in the metropolitan museum of art pop hart

WAA-KAUN-SEE-KAA or the Rattle Snake; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-CHE-KA-KAT or the Bad Hawk; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

CAW-TAA-WAA-BE-TA or the Snagle’d Tooth; A Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-PA-LAA or the Playing Fox; Prince of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

SHING-GAA-BA-W’OSIN or the Figure’s Stone; Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

ASH-E-TAA-NA-QUET; A Celebrated Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-NA-TAA or the Foremost in Battle; Chief of the Sioux Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

NAH-SHAW-A-GAA The White Dog’s Son, Pottawatomie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MA-KO-ME-TA or the Bear’s Oil; A Monomonie Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

WAA-BIN-DE-BA or the White Headed Eagle; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

the aboriginal portfolio ojibwa people

CUT-TAA-TAS-TIA; A Celebrated Chief of the Fox Tribe, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TOO-SHA-NA-GAN-KA or The Little Otter; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

New York Bay- from the telegraph station LCCN2002710663, Nathaniel Currier, between 1835 and 1856

lithographs of staten island, new york city new york harbor in art

The Favorite Cat, Nathaniel Currier, 1838–46

prints in the metropolitan museum of art nathaniel currier

"Sir, I offer you my respects and my daughter" from Metamorphoses of the Day, Jean Ignace Isidore Gérard Grandville, 1829

prints in the metropolitan museum of art symbolism

Payta Kootha, a Shawnee Warrior, Albert Newsam, 1836

lithographs in the national gallery of art (washington, d.c.)albert newsam

The American Fireman by Louis Maurer 1858, Louis Maurer

currier and ives louis maurer

Water Hunting for Deer, a Night Scene on the River Susquehanna Penn., from the series "Colt Revolver and Rifle", George Catlin, ca. 1855-1860

lithographs by george catlin realism

Thomas Corwin the peoples choice for twelfth President of the United States

historical history

NABU-NAA-KEE-SHICK or The One Side of the Sky, A Chippewa Chief, from The Aboriginal Portfolio - SAAM - 1973.167.20, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O‑HYA-WA-NIM-CE-KEE or the Yellow Thunder; A Chippeway Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

O’-CHECK-KA or Four Legs; Head Chief of the Winnebagoes of Winnebago Lake Michigan, from the Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Politics in an Oyster House, Michele Fanoli, 1851

lithographs in the national gallery of art (washington, d.c.)michel fanoli

O‑CHE-NA-SHINK-KAD or the Man that Stands and Strikes; A Winnebago Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

KAA-NUN-DER-WAAGUINSE-ZOO or the Berry Picker; A Famous Chippewa Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

La Menagerie Imperiale, 1871

hand-colored lithographs in the british museum la ménagerie impériale

La Menagerie Imperiale, 1871

hand-colored lithographs in the british museum la ménagerie impériale

La Menagerie Imperiale, 1871

hand-colored lithographs in the british museum la ménagerie impériale

Girl in a Corset, Lovis Corinth, 1895

lithographs in the national gallery of art (washington, d.c.)expressionism,impressionism

Her Royal Highness the Princess Alice., Richard James Lane, between 1857 and 1858

hand-colored lithographs in the british museum princess alice of the united kingdom in 1857

Fox chase- Throwing off LCCN2001699193, Nathaniel Currier, 1846

foxhunting in art 1846 lithographs

"And in this suit for seperation, gentlemen, observe two things" from Metamorphoses of the Day, Jean Ignace Isidore Gérard Grandville, 1829

prints in the metropolitan museum of art symbolism

Tour de Remy, Dieppe, Thomas Shotter Boys, 1839

prints in the metropolitan museum of art thomas shotter boys

Fox-Hunting Sketches: No. 11. Sporting Parson - "Well! I'm d---, b-b-blest (I mean), if the cunning beggar has't run to ground in My Own churchyard!", Hablot Knight Browne

lithograph prints in the yale center for british art hablot knight browne

The Farm-Yard in Winter, George Henry Durrie, 1861

lithographs in the national gallery of art (washington, d.c.) from the united states prints after george henry durrie

Staten Island and the Narrows- from Fort Hamilton LCCN2001706273, 1861

1861 in new york (state)1861 lithographs

And it is the caress of his hands, Maurice Denis, 1892/1899

lithographs in the national gallery of art (washington, d.c.)symbolism,pont-aven school,les nabis

Catlin the Artist Shooting Buffalos with Colt's Revolving Pistol, from the series "Colt Revolver and Rifle", George Catlin, ca. 1855-1860

lithographs by george catlin realism

Catlin the Artist & Hunter Shooting Buffalos with Colt's Revolving Rifle, from the series "Colt Revolver and Rifle", George Catlin, ca. 1855-1860

lithographs by george catlin realism

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Das Dammthor in Hamburg, von der Stadtseite, 1800 (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Ecke des neuen und alten Jungfernstiegs und der Binnen (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Die Lombardsbrücke in Hamburg, mit dem Walle und (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

Phebe LCCN2001700580, Nathaniel Currier, 1846

nathaniel currier

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Der Jungfernstieg in Hamburg (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

KEE-O-KUCK or The Watching Fox; The present Chief of the Sauli Tribe and the Successor to Black Hawk, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

TENS-QUA-TA-WA or The One Who Opens the Door; Shawnese Prophet (Brother of Tecumthe), from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

MAC-CUT-I-MISH-E-CA-CU-CAC or Black Hawk; A Celebrated Sac Chief, from The Aboriginal Portfolio, James Otto Lewis, 1835

lithographs in the smithsonian american art museum the aboriginal portfolio

Qua-Ta-Wa-Pea, A Shawnoe Chief, Albert Newsam, 1838

lithographs in the national gallery of art (washington, d.c.)albert newsam

Le Monument à Lucerne

hand-colored lithographs in the british museum lemercier & cie.

Politics in an Oyster House Dedicated To H.B. Latrobe Esq., Michele Fanoli, 1857

works after richard caton woodville michel fanoli

Well, come on,...don't shout anymore., circa 1830

hand-colored lithographs in the british museum jean gabriel scheffer

'Inhabitants of the Sandwich Islands', after Louis Choris, Honolulu Museum of Art

hawaii related prints in the honolulu museum of art lithographs after louis choris

The Arkansas Traveller. Designed by one of the natives and dedicated to Col. S. C. Faulkner, Leopold Grozelier, 31 December 1859

arkansas traveler edward washburn

Lille, 1840-1880 (circa)

hand-colored lithographs in the british museum lemercier & cie.

John Barton Esqr, Maxim Gauci, 1818-1837 (circa)

hand-colored lithographs in the british museum prints by maxim gauci in the british museum

Clarens, Vernex, Montereux, Chillon, Villenueve, Frédéric Sorrieu

hand-colored lithographs in the british museum lake geneva in art

John Banvard by Charles Baugniet, 1849, hand-colored lithograph with tintstone on paper, from the National Portrait Gallery - NPG-NPG 83 178Banvard-00000, John Banvard

charles baugniet john banvard

A South Down Ram; Aged 3 Years, bred by Mr. Thomas Crisp, Gedgrave Hall, Suffolk, for which a Prize of 30 Severeigns was awarded at the Annual Meeting of the R.A.S. at Cambridge, July 15th 1840, William Henry Davis

lithograph prints in the yale center for british art william henry davis

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Die kleine Alster in Hamburg vom Voglerswall gesehen, (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

Evening scene, encampment at Maurea on the banks of the Waikato River, 1847, George French Angas

collections of the national library of australia works by george french angas

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Hamburg, Aussicht vom Walle beim Holzdamm über die Binnen-Alster (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Ecke des alten und neuen Jungfernstiegs und Gänsemarkts in Hamburg (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Die Binnen-Alster in Hamburg im Winter (1965)

historical views of hamburg in the staatsbibliothek hamburg lithographs in the staatsbibliothek hamburg

PPN787617350 Hamburgs Vergangenheit in bildlichen Darstellungen Scenen im Jungfernstieg in Hamburg aus der Belagerungszeit (1965)

historical views of hamburg in the staatsbibliothek hamburg historic views of hamburg by suhr brothers

Abraham Lincoln portrait by Kellogg 1860

lithographs of abraham lincoln e. b. & e. c. kellogg

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